Episode 119 - Valjoux 7750 vs. Lemania 5100¶
Published on Wed, 03 Feb 2021 21:52:38 -0800
Synopsis¶
In this episode of the Forty and Twenty WatchClicker Podcast, hosts Andrew and Everett dive deep into two legendary automatic chronograph movements: the Valjoux/ETA 7750 and the Lemania 5100. Both movements emerged in the early 1970s as responses to the automatic chronograph race initiated by Zenith's El Primero and the Caliber 11 consortium, but took decidedly different approaches focused on affordability, durability, and serviceability over prestige.
The hosts trace the parallel histories of these "workhorse" movements, from their development during the quartz crisis through their near-extinction in the mid-1970s, to their triumphant resurrections in the 1980s. Edmund Capt's computer-aided design of the 7750 and the Lemania 5100's military-grade durability are highlighted as revolutionary achievements. While the 7750 remains in production today and appears in countless watches from budget to luxury brands, the 5100 was discontinued around 2003-2004, though it left an indelible mark on tool watch manufacturers like Fortis, Sinn, and Tutima. The episode celebrates both movements as unsung heroes of horology—the "Honda Civic and Toyota Corolla" of chronographs—that prioritized function over flash and continue to influence watchmaking decades later.
Links¶
Show Notes¶
Transcript¶
| Speaker | |
|---|---|
| Andrew | Hello fellow watch lovers, nerds, enthusiasts, or however you identify. This is Forty and Twenty, the WatchClicker Podcast, with your host Andrew, and my good friend Everett. Here, we talk about watches, food, drinks, life Everett, how are you? |
| Everett | So good. Yeah. So good. Yeah. I mean, shit. Everything's just great. |
| Andrew | It is. It's Tuesday, right? |
| Everett | Uh it is okay. It is Tuesday. Yes, yes, sir. It is. Uh yeah. But I mean I'm good. I work today. I got some really good stuff done. Um yeah, that's it. You have |
| Andrew | a Prius in your yard? |
| Everett | I do have a Prius in my yard, yeah. Uh it's a not so funny story, but I do indeed I do indeed have a Prius in my yard. |
| Andrew | Which it's really lucky that happened when your car wasn't in the driveway. |
| Everett | Yeah, no, Kim's car was in that spot. |
| Andrew | Oh really? Yeah. Like almost |
| Everett | destroyed Kim's car. Yeah. So just for you at home, we're like, what the fuck's going on? Uh my neighbor, my friend, uh, elderly fellow, elderly fellow, uh just about in his 80s, he uh had an accident. We found this out later. Had an accident, fell, hit his head, uh, which caused bleeding, which puts pressure on his brain, which has which made him not all that capable about four days after the fall. So that exhibited itself |
| Andrew | yesterday |
| Everett | as he drove his Prius into my front yard. |
| Andrew | Yeah. And and there |
| Everett | that Prius sits because in between his him driving his car into my front yard and um calling triple A, he got towed off to the hospital because his friend came to sort of help him out. And his friend was like, hey, you're you seem really weird. We should go to the hospital. |
| Andrew | You just crashed your car and |
| Everett | to the hospital they went. And yeah, there was a a a bit of time where we didn't know what had happened and kind of panicked because we could also tell he was weird and then he disappeared off the face of the earth and no one told us while his front his Prius was in our front yard. So tracked him down. Got a hold of his daughter. We're talking. She's flying in tonight, I think. And hopefully gonna come get his Prius out of my front yard. He's okay, you guys. |
| Andrew | That's important. He's okay. The Prius is gonna not gonna be so okay. |
| Everett | This I think it's okay. It is high centered on a stump, but I took a look underneath. All of the all of the exhaust looks like it's in one good shape. Uh I took a look at the axle, it kind of came close to an axle, but the axle looks fine. I mean looks fine, right? There could be something |
| Andrew | It's gonna be hard to get it off of that stump without causing some belly damage. |
| Everett | It's clear. It's clear right now. Oh. So I can |
| Andrew | hook a toe strap and yank it. Well I, think we need to |
| Everett | get that tire. We need to get that tire up. So we're gonna do that tomorrow if he if triple A doesn't come. I think I would much rather triple A or you know, whoever, some some professional do this, just because they're gonna be if they don't write they're insured. That's right. Uh but yeah. How are you, Andrew? |
| Andrew | Good. I am we're we're in the the last the home stretch, as it were, of getting our house onto the market. Uh which meant that today I was up to my nipples in paint and I we had this weird well all the things of this house's additions and renovations have just been weird shortcuts they that people were like, ah, close enough. They were very better done than perfect. |
| Everett | Deck separate, right? And uh |
| Andrew | so one of them, they rather than a a flush corner of drywall, they just stack the drywall on top of the other piece of drywall and then put a piece of door trim against it. |
| Everett | Fine. Fine. Yeah. No, that'll work. |
| Andrew | When you are okay with like three and a half inch door trim. |
| Everett | Yeah. |
| Andrew | So And then they like bondoed |
| Everett | it so it looks like a continuous piece. |
| Andrew | Yeah. Yeah. So over the course of doing my bathroom remodel a few months ago, I I destroyed that piece of Dortram on accident. I didn't want to find a new piece, so I just said, oh fuck it, whatever so it's been without trim in order to sell this house I'd like there to be trim up so uh I was looking at that wall today trying to figure out how to hide the issue and I was like fuck it I'm just gonna fix it so I ripped down a big chunk of wall and Drywall's |
| Everett | the worst. It's not pleasant. It's not as |
| Andrew | bad as grout, but it's not fun. So I've got drywall up and hanging, paint everywhere. I had a very productive day and I still don't feel like I will ever be done. But we're close. We've almost we we all almost got everything done that we wanted to get done. Our photographer's gonna come Friday, I think, take pictures of the house. |
| Everett | Is this someone you're hiring yourself or is this our realtor |
| Andrew | hiring? Yeah. Yeah. Um, |
| Everett | well, good. Uh uh have I told you about my new house that needs absolutely no |
| Andrew | work? No. My next house will need no work. |
| Everett | Yeah, let's hope so. Perhaps the |
| Andrew | house next to yours. Yeah, so that that |
| Everett | would that was interesting. A house came on the market today. It was previously on the market, but the last sale fell through and it's literally a hundred feet away from us. Yeah, we could |
| Andrew | throw rocks at each other. And it's a good house. You guys |
| Everett | are gonna look at it tomorrow, right? Yeah, we are. We got a showing. Fantastic. So |
| Andrew | that yeah, that's been my I mean that's been my life. I've been like waking up, workinging, com home, working, going to sleep, working, just a just a wash, rinse, rinse, repeat of work and work and work. |
| Everett | So I'm happy to be here. I'm happy you're here too. |
| Andrew | Yeah. I'm happy you're here too because today we |
| Everett | are talking about watches. |
| Andrew | Two watches specific. Well, two families. |
| Everett | Yeah. Like like 10,000 watches per |
| Andrew | families. Yeah. Cousins. Very extended cousins. Yeah. |
| Everett | Or or perhaps uh or perhaps like competitors. Like uh like evil twins. |
| Andrew | Hmm. Like Wario and |
| Everett | Mario. Or perhaps Wario and Waluigi. I think |
| Andrew | that's more appropriate. Yeah, how far can we take this? |
| Everett | So, as you know, because you've read the tile on your screen, probably. Probably. Uh, today we're talking about two movements, automatic chronograph movements, both of them. I would call them unsung heroes. Uh, and and I think that's true for one of them more than the other. Uh, but we're talking about the Valjou Ne Eta. |
| Andrew | It's the Valjax. The Valjax Ne |
| Everett | Eta seventy seven fifty and the Lamagna Lemagna La Magna 5100. Uh and there's there's a good reason. There's a good reason we're talking about these two watches. Because these two movements. Uh to use Andrew's correction. Uh because and and and that is because I am of the opinion, having researched these a little bit, that these are two of the greatest movements ever made. |
| Andrew | And and you're not alone in that opinion. There's there's cult followings behind both of these movements. |
| Everett | And so neither one of them the most famous automatic chronograph |
| Andrew | movement ever. I th I think |
| Everett | that that honor probably goes to the El Primero. Uh |
| Andrew | yeah, I think so. Uh, you know, |
| Everett | for for a number of reasons. And we'll talk about the El Primero a little bit. Uh but but these two are sort of the anti-el primeros. These are, I don't know. What would you c what would you say? How would you describe the how these fit in the in the industry? |
| Andrew | These are the Honda Civic and Toyota Corolla of the industry. |
| Everett | That's probably perfect. Yeah. Workhorses, right? Reliable, cheap, workhorse, |
| Andrew | modable, amazing |
| Everett | machines. Both of them. Both of them amazing machines. |
| Andrew | And not a lick of sex to 'em. |
| Everett | Yeah. The sex we we generate, |
| Andrew | right? The the sex comes with with our attraction to 'em. There's nothing uh attractive about them. They are tools. They are they |
| Everett | are just bangers. Anti-attractive, perhaps in some ways. |
| Andrew | Yeah. They I'm sure they did things like, Oh, that looks terrible. Yes. |
| Everett | Roll with that. Roll with that. Well, so to tell the story properly, I think we've got to travel back in time. Hit it. As we as we are want to do. As we are want to do on this show. We're gonna travel back in time for a moment. Uh and we're gonna travel back to a a a year, a year, one specific year, nineteen sixty-nine. Uh and so this is well before either of these movements are a thing, before either of them are a going concern. And that year 1969 is critical in watches for for a couple reasons. A couple big things happened in 1969. Um the first, uh, the first thing that happens is Seiko in May of 1969 starts using their phenomenal uh 6139 chronograph movement. Uh not that anybody knows, right? Nobody fucking cares because Seiko's Japanese and they're just not in the conversation. And |
| Andrew | there's also not internet, so people are slow to find out. |
| Everett | That's right. So Seiko's got their 6139 operating. And also sort of simultaneously, simultaneously, we've got Zenith with Errol Primero, famously first automatic chronograph, quote unquote. Um, and and and also this big sort of uh chronatic group, uh, Buren, Hamilton, uh, Breitling, Hoyer, uh, and and a few other companies are working on the famous Caliber 11. Uh and and which one of those came first, the Caliber eleven or the El Primero. I don't think it's super important. Uh I I think w w generally speaking, the Biran Group beats beats them to m to market with an actual watch, but but Zenith is the one who who gets the the headline first or early in the year. And really, practically speaking, Seiko beats them all to market. But we've got three automatic chromographs that get released that year. So more on that. Because another really important thing happens in 69. Do you know what it is, Andrew? Quartz. The very first quartz movements come to market. Uh which |
| Andrew | is really interesting that we're that we're seeing a company like Seiko drop uh a revolutionary movement and think in their big shit about it and then at the same time drop something that kind of makes that first movement obsolete and r like truly revolutionizes the watch world. |
| Everett | Yeah, that's right. That's right. Two totally different avenues of approach on revolution happening in Japan. Yeah. Thank you, Seiko. |
| Andrew | Yeah. Uh |
| Everett | yeah, quartz. The quartz crisis is not in effect yet. |
| Andrew | It's building though. But it happens |
| Everett | fucking quick. It happens quick. So in 1969, no one knows it's coming. Maybe some people suspect, like, oh, this quartz thing. Uh, but but really nobody's thinking we're not gonna be able to sell an automatic movement in two years from right now or five years from right |
| Andrew | now or whatever. So |
| Everett | we've got these three phenomenal automatic chronographs. We've got um quartz movements happening, quartz watches coming out. Um both Lamagna and Valjou at this time are behind the behind the eight ball. |
| Andrew | Mm-hmm. They're late aware of it. |
| Everett | And aware of it, very aware. So they're late in the game. Everybody's kind of known about this big caliber 11 group because there's too many players involved to keep it a secret. Zenith has been, you know, squawking a lot, at least through 69. Seiko's quietly working in Japan, but the the writing is on the wall. Automatic chronographs are here. They're awesome. So these guys are like, we need to get moving. And so they both start working groups to create movements, automatic chronograph movements that will be able to compete in the market. And they've got beat to the gun. And so they're both interested in doing this in a similar way. And I'm not sure if this is marketing genius or if this is just uh plain old m market market strategy, whatever, but they both sort of simultaneously, independently, decide to develop cheap, quick to make, super accurate, super durable movements right now. |
| Andrew | I think that was that was driven by the fact that they were so far behind the game. They didn't have time to do the start everything from scratch development. They needed to take something and they needed to get it to market now. So take what we have, tweak it, and let's find a way to get get our heads out of our asses right now. |
| Everett | Yeah, I think that's right. Well, and there's another thing happening too here uh i in the sixties, right? Which is that um movements are getting more expensive, right? As automation becomes significantly more popular. Expensive movements are are relatively more expensive compared to the competition. And labor on non-automated prices processes is going up too. So there's a market, there's a demand for less expensive movements. And in fact, movements that both of these companies are using at the time are less popular because of their price. So it's incumbent on these guys to a be competitive and b to make it cheaper, right? Um, so both seeking to make these streamlined accurate tough servable movements. Uh and and spoiler alert, I they both generally succeed. Um they do so in some similar ways with some obvious differences. I think probably the first thing we do is just take a look at one of these watches. |
| Andrew | Let's do it. What do you think we start |
| Everett | with the 7750? I I think we do. |
| Andrew | And I think the reason we start there is because we've got one in front of us. |
| Everett | We that's true. Well, I have one in front of me. It's a little off to the side for you, but I've got my Swiss Army F A eighteen. Uh love this watch. It's a chronograph. Nobody's ever heard of it. Um I just love it. I just love it. It's a chunk. |
| Andrew | Mm-hmm. Because it's got a fucking 7750 |
| Everett | in it. I think they're fifteen millimeters |
| Andrew | thick. Uh y yeah, no, |
| Everett | this more than fifteen, I think. Fifte15 on a good day. Yeah, but he's been eating Twinkies. So um |
| Andrew | I can actuate these now, right? You can, |
| Everett | yeah. I've I've got it. Uh I got the movement serviced. Uh it it is actuatable. So uh the 7750, we actually know a lot more about the 7750 than we do about the 5100. Uh and and there's one really good reason for that, which is that the 7750 well A A, it's been in constant production the entire time that the internet has been alive. So there's been a lot written about the 7750, people who have researched it. Um, but also I think it's generally just the more popular of the two movements, at least in commercial circles. Um, and it kind of it goes going back to nineteen sixty-nine, Valjou's like, hey, what's going on? We're behind. And so they put together a crackpot team, as it were, the A team. Uh |
| Andrew | I think it was the available team. No, |
| Everett | no, so it isn't. So they hired this kid named Edmund Capt. He's 24. He's a total prodigy. He's a computer guy. In the six, you know, 69. Basically, no one knows computers. This guy is uh way ahead of his time in in terms of his ability to do things on computers. And I say, Hey, will you put together a team who puts together four folks uh a a lady engineer i i knew these guys' names at some point but i don't right now and it doesn't matter and they say you know we want a non-high beat just a standard beat, quick to market, quick to build, cheap to build, no column wheel. No column wheel. This is important. No column wheel chronograph. We've got some existing designs. We've got an existing uh 7733 mechanical hand wind movement. And we'd like you to start there because that's an existing module. We'd like you to develop on top of this. So any number of problems are going to come up. But we've got the benefit of computer-aided design now. And really, Capt is one of the very first guys who is going to dive into that world, has the knowledge. He's young, he's a kid, he's 24. He's one of the only people in the world that has the ability to do what needs to get done here. Val Zhu's got one computer, so he's got to travel from his office to the place where the computer is. He's going back and forth. Um and he designs uh over the course of about two and a half, three years, he designs this first computer design movement based on the Valjou seventy seven thirty-th,ree which |
| Andrew | not even based on built from. |
| Everett | Built from, yeah. Which is based, which is an evolution of a famous, famous mechanical chronograph movement, the Venus one eighty |
| Andrew | eight, because Valjou had absorbed |
| Everett | Venus when Venus went down in 1966. So this watch comes to market in 1973 and instantly starts showing up in watches. And it's super popular for about 18 months. Yeah. Because the bottom falls the fuck out in 1975. And and interestingly enough, the 7750s' trajectory parallels that of its more famous sibling, cousin, colleague, the Zenothel Primero. |
| Andrew | Rival. Rival. So |
| Everett | just like the Zenithel Primero, in 1975, these watches get shit canned. |
| Andrew | Mm-hmm. Watches get shit canned. |
| Everett | Uh, because folks do not want to buy mechanical movements. |
| Andrew | And and not just shit canned. They told him they they told Cap, just destroy it. Like get rid of everything. There's no reason to save any of this. |
| Everett | Pack it up. Not just pack it up. |
| Andrew | Pack it up and get rid of it. Burn it. Yeah. Get rid of it. |
| Everett | What? That's not just |
| Everett | like that's that's throw it into |
| Andrew | the ocean. We've given up, we're not even gonna do this anymore. Kind of behavior. |
| Everett | We quit. That's for uh for the brilliance |
| Andrew | of my phone of the business planning going into it, this hiccup was one of the most significant knee-jerk reactions I've ever seen. And fortunately for them, he he was a little bit little bit calm and said, you know what? We're we're gonna put on a shelf. I think perhaps |
| Everett | insubordinate. My suspicion is not calm, insubordinate. Loyally so. |
| Andrew | Yeah, he was making a rational decision. Knee-jerk reactions are never right. |
| Everett | Never. |
| Andrew | Never. So he said, I'm not gonna set it ablaze. I'm just gonna put it on the shelf. Have a and and and there it there it laid in wait. So we're in the midst of the courts crisis. Everyone's packing up their shit. No one knows what to do. |
| Everett | Valju and Edda join in this time. |
| Andrew | Yeah, because they're like enemy of my enemy, right? And they're the 7750 sits. Until |
| Everett | I imagine he had it on the hutch above his toilet in the bathroom. Like all these dyes, plans. |
| Andrew | Oh yeah. But enter the eighties. So it's a s it's a it's a significant period of time. Five years. Eight years. |
| Everett | Yeah, eight years. That this |
| Andrew | is it's in a holding pattern, but into the 80s. And things. Yep. |
| Everett | Neon, neon green, sh jammy sh jam shorts, |
| Andrew | tall hair. Leg warmers. |
| Everett | Fuck yeah. Screech. Rest in peace. |
| Andrew | Aww. Aw. So enter the 80s. And it's starting to come back. They pull it off the shelf. They dust it off because that's the uh The down spiral. Now mechanical watches have joined forces and they've started to re-market themselves, rebrand themselves as luxury items. You wanna be cool, you gotta buy a watch that you gotta wind. Or that'll wind itself. Not quartz. |
| Everett | And the public comes back too. Yeah. So 1983. I imagine they're at a meeting. In fact, I know I was there. Uh, it's a meeting, and they're like, What are we gonna do? We don't have any movements. And Edmund Capp comes in, he's wearing a uh he's wearing a baseball cap backwards. He's got like uh a base one of those ringer t-shirts on and a flannel shirt rolled up, sleeves rolled up, mid forearm. |
| Andrew | The logo on the shirt says seventy seven fifty. |
| Everett | He's like, Hey bitches. Guess what? |
| Andrew | Cause what he's now thirty. Yeah, |
| Everett | that's right. He's thirty-one. He's got a he's got a joint tucked behind his ear. Uh he comes in and says, Hey guys, look, I got this thing. What do you think? And in nineteen eighty-three, Valjou reintroduces the seventy f 7750 to market and it explodes. This is quickly and almost immediately the most popular movement on the market. |
| Andrew | Because it was the only one being mass produced. It was the only one that was quick to produce, and and they they sort of postured themselves to be purveyors of movements and not just watch production. That's that was their whole jam. |
| Everett | That's right. Now they're providing |
| Andrew | other watch manufacturers with their machine. |
| Everett | And now 40 years later, 30, 38 years later, the Valju 7750 is still a going concern. It's still in its 7750 stock form found in watches that you can buy on Joma Shop, Amazon, Harry Richie's jewelers, whatever. |
| Andrew | For fairly reasonable prices given the technology that's there. |
| Everett | Anywhere from about a thousand bucks to significantly more than that. |
| Andrew | Oh, you can get them and under under a thousand. You can get into them at like five hundred bucks. |
| Everett | And the architecture and the arc more and more than that the architecture that Edmund Capt came up with in the early 70s is still being implemented by other companies other companies are taking that architecture and putting their own spin on them. Very, very expensive luxury hot horology houses are using that architecture in watches today. |
| Andrew | Yeah. And it's like the Browning |
| Everett | machine gun of movements. Yeah. Or perhaps, perhaps another movement that we're going to talk about later. So |
| Andrew | we should talk about the architecture a little bit. We should. Yeah. We'll we'll need to get into that |
| Everett | so I mentioned earlier no |
| Andrew | column wheel. I yeah, that's right. I mentioned |
| Everett | earlier that that was one of the goals is to get rid of the column wheel. And there's a couple reasons for that. One is that the column wheel is very expensive to produce. Uh column wheel chronographs are classic. Uh and other than that, they've got some uh they've got some some benefits, right? The the horizontal manner in which a column wheel is laid out is aesthetically pleasing. And they do have a certain functional uh benefit. They they are snappier, they're clickier, they're generally probably a little bit easier to compress. Uh the 7750 sort of askews that and gains all sorts of stuff. Efficiency of manufacture, durability, long-term life. Yeah, well, uh not all of it, right? As I've got one here. |
| Andrew | You you get it, but you really gotta work for it. |
| Everett | I don't know if you can hear that. Hold on. Here's I'm gonna I'm gonna I don't know. It's like pushing a G |
| Andrew | Shock button. Yeah, a little bit. Yeah, |
| Everett | a little bit. And and this is an older movement. It probably needs to be serviced. So it's probably a little bit uh spongy. But but yeah, you don't get quite the same click as a as a column wheel. |
| Andrew | Which which makes sense because what you you're you're not you're not actuating the machinery in in the same way. |
| Everett | Yeah, that's right. It's a it was a wholly |
| Andrew | revolutionary design to actuate these additional complications. |
| Everett | And you know what else that McCap did? Hmm. |
| Everett | Plastic.. Yeah Plastic. Silicone. Delrin. Plastics. |
| Andrew | Right? Look you guys. |
| Everett | We're not playing we're not playing the jewelry maker sweepstakes here. This is let's get movements into watches that are gonna do a job, do it for a long time, and do it cheaply. Mission accomplished. |
| Andrew | Yeah. Like George W. |
| Everett | Bush. Yeah. Like George. So uh, you know, since then, Hamilton, IWC, Brightling Omega, Frank fucking Mueller, Hamilton, um, did I say Hamilton twice? |
| Andrew | Twice, yeah. And |
| Everett | it doesn't stop there. Obviously, Victorinox. Um you know, bull of the big Tisso, big giant brands are using this movement. Uh ubiquitous, I think is the right phrase for |
| Andrew | it. But there's another player. |
| Everett | There's another player. And that player is a company called |
| Andrew | Can can we can we say one more thing? No. |
| Everett | Yeah, say as many things as you want, Andrew. The the |
| Andrew | winding system. The winding system changed it. A bidirectional winding mechanism, which and this is a complaint of the seventy seven fifty, is it's a unidirectional winding. Can |
| Everett | we talk about the myth of unidirectional winding inefficiency? |
| Andrew | U Uh yeah, and I think it's important that we do. For the gears to engage on the rotor of your o of a of an automatic watch, it has to traverse fifteen percent of a rotation. So 15% of a revolution before it will engage the gears to begin winding. Which is, you know, not much. But also it's horribly inefficient for to to add that kind of expense and that kind of technology when it can just rotate in one direction. |
| Everett | Yeah. You know, there is uh uh I think a pervasive idea that that it's less efficient for unidirectional. And I think that that that's probably the piece that people are missing. |
| Andrew | Yeah. It has to rotate a lot. 15% of a revolution in order just just to engage the gears. So uh just a twist to your wrist, that that you know, that move that motion to check your watch is not going to wind your watch. |
| Everett | Yeah, that's right. It's gonna take |
| Andrew | actu I mean i i i it with any automatic winding watch, takes actual movement to get that rotor spinning. |
| Everett | And if you if you know a watchmaker, call 'em up and ask 'em which movement is more efficient, a 2824 or a Miyota 9039? Call your watchmaker friend and say, I want to know about winding efficiency. Which is more efficient? A 2824, which is bi-directional winding, or a mioto 9039, which is unidirectional? Which one's more efficient? And the answer, spoiler, the answer is gonna be Miyota, because it is, right? And twenty eight twenty-four is actually uh a little bit of a cherry-picked example, but bidirectional winding is not inherently more efficient.. |
| Andrew | No It's just cooler. And it's a way to charge more money for your movement. |
| Everett | Yeah. It's um it's this is a marketing speak. Yeah. So yeah. Edmund Capt says I don't need to ch I don't need to wind both directions. |
| Everett | Just give me one. Yeah. Besides, |
| Andrew | people are gonna shake the wrist anyway, and there's the the balance of that rotor is going to prompt it to spin the right direction. So now we can move on to Le Magnier. |
| Everett | Le Magnier, Le Magnier. So at the same time, another Swiss company, company called Le Magna. |
| Andrew | Also in ruins right now. Right. Because everyone's winning. |
| Everett | So I think, I think, |
| Everett | at the time, LaMagna is owned by SSIH. And they're making watches for SSIH Group, Omega, Tisso, SSIH Group Manufacturers primarily um but also on the general market. They're in the same boat, they're in the same boat that that uh that Valjou is uh in 1969. Behind the gun, need a movement. |
| Andrew | Under the gun? Under the gun? Behind the eight ball? |
| Everett | Yeah, something like that. |
| Andrew | Behind the curve. Not the sharpest |
| Everett | bull in the in the in the garage. I hope so. So |
| Everett | generally considered |
| Everett | to have been released in 1978. Generally considered, the LaMagna 5100 is pretty late to the game. |
| Andrew | Yeah. Nine years later. Nine |
| Everett | years later, there's a butt. Omega is using the Lamania 5100 in watches as early as 1974. |
| Andrew | Yeah. |
| Everett | And probably 1973. |
| Andrew | Yeah. Yeah. So |
| Everett | not late to the game at all. |
| Andrew | No. They just found an outlet for their movements. |
| Everett | Not late to the game at all. Yeah. We know a lot less about the development of fifty one hundred. |
| Andrew | And I think that's because it was it I think Om Omega was involved in the development in some capacity as to make it proprietary. |
| Everett | Clearly. Clearly they're they're capturing that |
| Andrew | information a little bit more carefully. And |
| Everett | maybe for good reason, right? Maybe they are weary of competition, they're weary of Val Jou's development. And so they're clearly withholding information in a way that Valju didn't, at least long term. |
| Andrew | Right. And so we just know |
| Everett | less. We know less about how this thing got created. And and in fact, uh until fairly recently, probably early two thousands, people did not know that this watch came out in seventy three or 7y4. The thought this watch comes out in two in in 78. |
| Andrew | No, it was living inside some of your favorite speedmasters. |
| Everett | That's right. That's right. So what's different about these two watches? Um, well, first, first, what's the same? 5100, lots of plastic, more plastic than the 7750. These guys really liked plastic. They at every step of the way are finding innovative, |
| Andrew | cheap, reliable |
| Everett | parts. So, you know, for instance, they use this KIF from the KIF company, |
| Andrew | uh Swiss company. Uh this KIF shock |
| Everett | absorber versus the more popular Inca block. They're using uh silicone parts, they're using Delrin parts, lots of Delrin. Um and and implementing these great sort of revolutionary materials into an automatic chronograph. Uh an and what they do is they produce probably the most durable chronograph in the history of watchmaking. Almost certainly. |
| Andrew | Yeah. And long lasting. Not just not just actually like violently durable, but they they're still on the road. |
| Everett | They're still on the road. Yeah. Indeed. And now by the time this comes out, the 6139s basically discontinued, permanently and forever. |
| Andrew | The uh caliber 11, |
| Everett | the Brightling Gupro, caliber 11, is taken off the market within a year because it's got some problems with the hairspring and overpowered in one direction and underpowered in another and shit keeps breaking. Xenothel Primero, obviously, we know Xenithel Primero. |
| Andrew | Still going strong. Still going strong. It |
| Everett | it like the it like the um seventy seven fifty gets pulled in nineteen seventy three. |
| Andrew | Mm-hmm. Seventy five, excuse |
| Everett | me. Yeah, seventy-five. And stored and stored until nineteen eighty-three. Uh I have the fellow's name. Charles Vermont. A very similar story. This thing gets pulled. Charles Vermont takes all the stuff home. Maybe him and Edmund Capt were on their cell phones and they're like, yo, Chuck. Yo, Ed. Yeah. I'm gonna take all this shit home. What do you think? He's like, yeah, I'll do the same. |
| Andrew | Yeah, we'll keep it safe because they're burning everything right now. |
| Everett | I got some of these HDX totes 899, yo. I'll drop you |
| Andrew | all the tools and CNC machines. |
| Everett | So so that'd be a good watch brand |
| Andrew | story. Stole a bunch of proprietary information and started producing watches. |
| Everett | You you know, LaMagna being backed by SSIH has some abilities to capitalize on you know now sixty one thirty nine's no no longer uh uh in the equation and they kind of were never really in the equation because Seiko's really living on an island. |
| Andrew | But they could also remain in production and eat loss in a way that other brands couldn't. |
| Everett | Exactly right. Exactly right. So the caliber |
| Andrew | 11 gets pulled. And and and at the |
| Everett | same time, this, you know, that that Brightling group has sort of evolutions of that, but it's kind of not a player. Zenith has shelved its its movement. Uh Valjou has shelved its movement. So really, Lamania's the player. They're like, look, let's get in here. So they go |
| Andrew | to Porsche Orfina and |
| Everett | they say, hey, you should use our movement in this really cool Porsche Orfina that's previously had the Value 7750 in |
| Andrew | it. They go to all these companies, |
| Everett | all these fantastic Swiss companies, and they say we've got this workhorse |
| Everett | automatic chronograph. And these companies who |
| Andrew | are making workhorse watches that need a chronograph, Zen, among them are are like, hey, yeah, let's w we're building military spec watches. We need them to not get destroyed. And they're seeing a big market pump because they filled the vacuum of the need for an automatic chronograph. Nobody else was doing it. And they're building I mean everyone's using it. The the the during this time period, the only automatic chronographs are powered by the 5100. |
| Everett | Essentially, right? Then there's some other movements in the game. Uh, but but really, this is the player. It's the fifty one hundred, this fat eight point two millimeters thick LaMagna fifty one hundred. It's in everything. |
| Andrew | Mm-hmm. Omega, Zinn, Hoyer, Orfina, Tutima, Fortis, yeah. Everyone. Everyone. |
| Everett | And so what these companies discover is this movement is |
| Everett | fucking incredible. It's incredible |
| Everett | because of its particular combination |
| Everett | of plastics, really sort of utilitarian industrial production means, it's really, really good. And what happens is it develops a relationship with companies. So, |
| Everett | you know, famously, Andrew, you mentioned Fortis |
| Everett | and CIN, uh also Tutima. Uh as late as like 2001, these companies will only use the LaMagna 5100 automatic chronograph. |
| Everett | Purely that movement, and that's |
| Everett | it. We're not using other chronograph movements. |
| Andrew | Which is bizarre for how many are available in the market right now that they're they're siloing their design language to that movement. |
| Everett | Yeah that's right. That's right. And |
| Everett | and the reason they do there's a there's a few good reasons for this right. And some of this is legend. I don't |
| Everett | have I don't have statistics on this stuff, |
| Everett | but um th there's a popular |
| Everett | anecdote that uh a 5100 |
| Everett | movement can withstand seven G's of |
| Everett | shock. I've I've heard that. |
| Everett | An instant seven G's of shock. And because of the way |
| Everett | it drives, it's a direct power to the chronograph with |
| Everett | a hit of seven G's, the sweep on the second hand doesn't stop. And as |
| Everett | far as I know, it's the only chronograph |
| Everett | movement in existence then |
| Everett | or now that can do that. Seven years' service interval, service interval, which is really good. It's really good |
| Everett | by today's standards, was amazing. |
| Andrew | That's basically never serviced for an 80s produced watch.. |
| Everett | That's right By 1973 standards, I mean that is out of this world good. And so these companies are like, we can't send anybody out to |
| Everett | the field with anything but this. This is the only watch that meets our military specifications. The only movement, excuse me. |
| Andrew | And they were pumping them out? Pumping them out. They |
| Everett | sold a fuck ton of them. |
| Everett | Maybe not as ubiquitous as the 7750. |
| Everett | Because of that eight year gap |
| Everett | though, damn close. Yeah. And the relationship with these |
| Everett | utilitarian tool watch companies, Zinn and Fortis and Tutima, um certainly more ubiquitous in that military space. |
| Andrew | I I think they the that workhorse uh banger of a of a movement limited it. I think it could have been as ubiquito ubiquitous as a seventy seven fifty. But I think because of its target market, it lost out on the other opportunities. |
| Everett | So sadly, and much |
| Everett | to the chagrin of the military watch community, |
| Everett | LaMagna discontinues the 7750 |
| Everett | by 5100. Yes, the |
| Everett | LaMagna 5100. By about |
| Everett | 2003, 2004. It's |
| Everett | gone. There's some genetic successors. I think probably the most uh significant one that I read about is the ETA |
| Everett | C01.211. I don't |
| Everett | know a lot about ETA chronographs, um, but it's a genetic successor, |
| Everett | but it misses the most important thing. We haven't mentioned this yet. One of the things that makes the 5100 so special is the central |
| Everett | seconds hand. So |
| Everett | unlike basically every chronograph that exists today, and |
| Everett | then the 5100 |
| Everett | implements a minute hand that tracks your chronograph time. So it's a |
| Everett | four-hander as, that were. I think it's actually a six or seven hander. |
| Andrew | Seven seven hander. But |
| Everett | one of those hands is a central chronograph minute counter. And and and Ed has done this with some modifications, as well as ETA, um |
| Everett | uh or as well as or as well as some |
| Everett | other famous companies, right? So we see central minute counters, oftentimes they're clicky. This is just another minute hand that operates off the chronograph |
| Everett | module on the center, which makes |
| Everett | timekeeping significantly easier and more |
| Everett | accurate. Instead of having 30 minutes, you've got |
| Everett | 60 minutes. Uh, and so all you have to do is look down, |
| Everett | you've got a clearly designated minute hand |
| Everett | that's keeping your chronograph time. So now you have seconds centralized and minutes centralized, which is which is a boon. I mean, if you can imagine using one of these in the field, |
| Everett | that's a fantastic thing. Yeah. |
| Andrew | Or in any under in under any amount of stress. Yeah. That's a it's a really cool movement. |
| Everett | You know, I know some guys who will |
| Everett | run in a chronograph. And and |
| Everett | I have run in a |
| Everett | analog chronograph before. I don't find it particularly pleasing |
| Everett | because when you're running, everything's shaking, you look down and |
| Everett | you cannot read a sub dialom in a hand. You just can't do it. So having |
| Everett | that i is really an an effective |
| Everett | thing. So this new caliber C011 |
| Everett | eskews that. And so there's some, there's maybe a sentiment that that's |
| Everett | actually an evolution of the fifty one hundred. They've made it more durable, more robust, |
| Everett | cheaper yet. But |
| Everett | I think really you get rid of the thing that makes the fifty one hundred so cool. |
| Andrew | Yeah. And other |
| Everett | than that, it's gone. 5100 is no longer a going concern. |
| Andrew | Digital. So in |
| Everett | light of the mandated title for this episode, I |
| Everett | think we should talk pros and cons. Oh, yeah. |
| Andrew | We should. We should get there. |
| Everett | Because I I don't think there's a clear |
| Everett | winner. I think our versus title that we've given you is probably a bit of a red herring. |
| Andrew | I think so. This is really a celebration of both |
| Everett | of these movements. Yeah. But I think |
| Everett | it's okay to talk about y you know, |
| Everett | the pluses and minuses of either. Um I think we could start with a really simple one in favor of the 7750. |
| Andrew | You can still get it. Brand new inbox. |
| Everett | You can still today get |
| Everett | a 7750. Now, 10 bajillion 5100s were sold, and you can still find parts. |
| Everett | They can still be serviced. They can still be |
| Everett | repaired. You will be able to find parts for 5100s from now until the end of time. That's not |
| Everett | a concern. Yeah. But what you |
| Everett | can't do is you can't pick up a brand new 50100 movement and |
| Andrew | plop it in your watch. True. |
| Everett | I think that's a point for the 7750. |
| Andrew | I think it's a big point for the 7750. |
| Everett | It's survived. Now many |
| Andrew | of the seventy-seven fifty uh iterations that are available are either cost prohibitive or suck. There there are I uh from from my my looking into them there weren't many out there that were particularly appealing, maybe just to me. |
| Everett | You mean today? Yeah. Yeah. Yeah. |
| Andrew | In the way of brand new inbox watches. Now there there were some that were quite appealing, but they were also twelve thousand dollars. |
| Everett | Yeah. So Yeah, which is interesting because uh another point we're gonna give |
| Everett | the the 7750 is its relative thinness to the |
| Everett | 5100. Yeah. If you don't remember, the |
| Everett | 5100 comes in at a whopping eight point two millimeters. Well, the seventy-seven fifty smokes it at seven point |
| Everett | nine millimeters. |
| Andrew | Both like that. Was that the call that Mike reviewed for time bum? The globe. |
| Everett | Right. There's no way to read it. It's just |
| Andrew | it's just a space watch. It's just a it's just a watch. |
| Everett | Yeah. It's just a lump of of metal |
| Everett | and glass on your wrist. Yeah. Yeah. |
| Andrew | That's what they look like. Yeah. Well |
| Everett | and and that's true. So these are both really by today's standards chunky |
| Everett | movements. And and some good |
| Andrew | reasons for that, right? Part of their utility |
| Everett | and part of their uh usefulness is the ability to work on them. And part of that is that you're not cramming things in and the indelicacy of the parts used. But yeah, big watches, man. |
| Andrew | Yeah, and and the being that big, it a pair of tweezers and and you can service this watch. |
| Everett | Yeah, right. It's like uh Ford three fifty one C, |
| Everett | you know, where you just sort of hop in the you hop in the |
| Everett | canopy and pull the alternator out or |
| Andrew | whatever, right? Yeah. |
| Everett | So a thing we just talked about. 5100 uses central minutes. |
| Andrew | Really cool. The layout, |
| Everett | I think, generally favors a 5100. |
| Andrew | Yes. But and that the 5100 layout is preferable to all other chronograph layouts. |
| Everett | Perhaps. Ever. In the |
| Andrew | way of functionality readability, it is superior. |
| Everett | And both the 70 se both the 7750 |
| Everett | and the 5010 have had |
| Everett | multiple iterations, but but generally the layouts are the same across the models. And that central second hands or excuse |
| Everett | me, central minute counter on the 5100, I think is a is a significant is a significant advantage. |
| Andrew | That's a big, big 50100 point. Even |
| Everett | though 77 mods can can replicate or or come |
| Everett | close to replicating that function today. Another point for the fifty-one hundred? |
| Andrew | Do it. It's way tougher. Yeah. |
| Everett | I mean the seventy seven fifty is a robust movement. |
| Everett | By all accounts, easy to work on. I I've I've I've read watchmakers describe it as |
| Everett | a pleasure, quote unquote pleasure to work on. |
| Everett | I think fifty one hundred gets the same treatment. |
| Everett | They just don't have to work on 5100s |
| Everett | as often. No, because if you've if you've |
| Andrew | damaged your 5100 it it's it's irreparably so. |
| Everett | It's a fucking tank. It was the |
| Andrew | pre-G Shock G Shock. In |
| Everett | some really significant ways, yeah, I |
| Everett | think that's right. I think that's right. This was |
| Everett | the original tool |
| Andrew | chronograph. And for good reason. |
| Everett | Both movements come with day-day date functions. |
| Everett | I think that the fifty one hundred |
| Everett | it's e easier to implement. |
| Andrew | I don't know that that really gets me excited. |
| Everett | Both wind in one direction, so that's a tie. And both |
| Everett | are really fucking ugly. Yeah. Both are really ugly. They're both huge. |
| Andrew | They're nineteen eighties, Civic and Corolla, respectively. |
| Everett | That's right. So take your pick. Do you want |
| Everett | the accord or do you want the corolla? You |
| Everett | can only have one. |
| Andrew | Me? You can only have one. |
| Everett | Ah you know I I think I go |
| Andrew | 5100. Corolla. Yeah. |
| Everett | You're a Toyota man. I appreciate that about you. I'm also a Toyota |
| Andrew | man. Yeah. I'm also a Toyota man. |
| Everett | I actually, in researching for this episode, found myself lamenting the loss of 5100. Something |
| Everett | I've never, it's never occurred to me to lament. |
| Everett | I'm sad. Hopefully they |
| Andrew | just put it on a shelf. Yeah. Hopefully |
| Everett | Chuck's still got it above the bathroom hut. |
| Andrew | He's just toddling around his house. Just lamenting again that they've taken this project from him. |
| Everett | Well, Andrew, I've exhausted my notes for this episode. What about |
| Andrew | you? That's that's I mean you we we've hit all the high points. We've hit the we we've hit what we wanted to hit. We celebrated these two huge movements. And I think our f for the watch community have cult followings, which is like that's ultra cult following. But largely in the watch world, I I think people are aware of these movements and aware of the significance of these movements, but not fully aware of just how significant they both were. And how lucky we are to have had them. Because they almost did not survive. But for just a couple assholes who were like, nah. |
| Everett | And in the case of the 7750, to have |
| Andrew | them. Yeah. To have them, right? |
| Everett | Um you know there's a |
| Everett | there's a fellow in the Bay Area who I've run into at a couple meetups and he he's a great guy, fantastic watch collector. But one of the first things he ever said to me had to do with the 7750 and how it sucks because it's huge. |
| Everett | And I can appreciate that. |
| Everett | Uh in in some meaningful ways. Uh, but with that |
| Everett | said, it's sort of one of a kind. Still today, if you want a cheap automatic chronograph, you're probably |
| Everett | looking at a 7750. Yeah. |
| Andrew | And they're not cheap. Yeah, |
| Everett | that's right. That's right. And you |
| Everett | can get them in cheap watches, right? Uh, I |
| Everett | think the parti in particular the used market for |
| Everett | seventy seven fifties, there are some gems to be had. |
| Everett | And and same for fifty one hundred, right? So uh that's not a that that's that's not a one way street. |
| Andrew | I I was thinking cheap in the way of connotation. They're inexpensive. |
| Everett | Oh, yeah. And and you're |
| Andrew | gonna get a s a lot of value knowing that that's what's powering your watch. |
| Everett | Yeah, I do personally. I I'm a big fan. |
| Andrew | Yeah. Yeah, you love that watch. It's not I mean it's not a particularly attractive watch. You |
| Everett | know, everybody hates this watch. But it's a cool watch. I love it. Yeah. |
| Everett | I bought it. It was sort of an impulse by. |
| Andrew | It's my second least favorite watch you have. |
| Everett | Is my least favorite the titanium G? |
| Andrew | Yeah. And these are two, they're |
| Everett | probably two of my favorites, right? These |
| Everett | two and the uh and the pulsar. Yeah. |
| Andrew | I love the pulsar. I don't like the titanium G. And that just doesn't that just doesn't do it for me. I like the watch, it's cool. I I I see I see what you see in it, but it it doesn't do it for me. |
| Everett | Yeah, you know you know, this watch is very |
| Everett | much so just again talking |
| Everett | about the FA eighteen |
| Everett | Victorinox. Uh this |
| Everett | is not part of the Victorinox professional |
| Everett | line, which was a thing in the late 90s, early 2000s, |
| Everett | I think. This is not part of that Victorinox professional line, but it's very much in line with that that pro line. I think that this was probably about an eleven hundred dollar |
| Everett | watch when it was new. You can pick them up for five to seven hundred, probably a little bit more on a bracelet today. Um |
| Everett | I bought it and I was like, that's a seventy seven fifty and a great looking package. It's compact. It's about thirty-nine |
| Everett | millimeters, maybe thirty-eight millimeters. |
| Andrew | Oh, it's it would be so great if it had a thin movement in it. |
| Everett | If this had an El Primero, it would be a good sick. Uh I I actually kind of like the chunkiness. You know, I've been wearing it |
| Everett | on this gray pebble |
| Everett | sort of uh charcoal pebble from uh Cascadia Strap Company, our friends in Portland. Um and it wears really well on this strap, but I think I might put it on a NATO for a couple months. Maybe a black NATO or something, um just to |
| Andrew | just some more rhythm presence? Yeah. |
| Everett | Yeah. Well, uh you know, that's that's a concern, |
| Andrew | right? Um I don't mind it, |
| Everett | right? I don't mind the chunkiness. And and and really it's compact enough that it's not particularly huge. It fits under my shirt sleeves. So I don't have anything else, buddy. |
| Andrew | That's it. We've covered it. We did |
| Everett | it. Welcome to the world of the 7750 |
| Andrew | and the 15100. You know, we're |
| Everett | not we're not experts at anything, right? No. |
| Andrew | We're not even good at our real jobs. I'm |
| Everett | an expert on real property law. |
| Everett | Andrew is an expert on law enforcement. And |
| Everett | outside of that, we know shit about shit. |
| Andrew | I can I can drink a good beer though. |
| Everett | So there's a chance we got some stuff wrong. We certainly mispronounced names. We |
| Everett | probably got years wrong at some point. Uh feel free to chat with us. If it's important, we'll make the correction um |
| Everett | or just to say hey there's more to this story and you |
| Everett | guys missed it we love that uh and if |
| Everett | it's appropriate we will we'll update |
| Everett | this this uh this episode |
| Andrew | or we won't. |
| Everett | Andrew, other things. What do you got? |
| Andrew | I got a new thing. And it it's something that has uh something of the like has been in my targeted advertising and it's been in my uh consciousness for some time. Um but with all the trim work that I've been doing, uh I finally got a tool that I've been kind of like intrigued by and |
| Everett | is it a fest tool? No. Uh |
| Andrew | and kind of excited about getting, but just haven't really had the reason to buy it. I got a contour duplication gauge. Tell me more. So what it is. |
| Everett | Okay, I can see it. They can't see it. |
| Andrew | It is a ruler with some free sliding teeth. Like it's a comb, basically. And what you do is you take this ruler |
| Everett | and you and you you press |
| Andrew | it. Uh no, imagine the things that you used to play with as a kid. For those of you who were kids in the 90s, that metal box that metal box that you put your hand in and then you turn it over and it held the mold. |
| Everett | Yeah. Okay, it is that in |
| Andrew | two dimensions. In two dimensions, for the purpose of measuring strange shapes and angles for which to cut things around. |
| Everett | Oh I'm feeling so |
| Andrew | what you do is you just place it against the weird object that you're having to cut against. You create the mold, you pull it back, you use that mold as a stencil on your material and you cut it. And I got one at Lowe's. I got like just the cheap right there on the shelf at Lowe's, like 16 bucks. You can find nicer ones that lock and that are a little bit more robust for probably 20 to 30 bucks, but they're not an expensive tool. Uh they're they're a fun tool because they're cool to just play with. Because all of us remember putting your hand on that metal pin thing and then your face on that metal pin thing and forming it to your face. So that's what I have now, but for a quote |
| Everett | unquote face. Yeah. |
| Andrew | Yep. Uh so that's what we have now. And I I used it to cut some uh threshold covers for tile to hardwood transition. Yeah. I used it to cut some trim pieces. I I used it a lot. I use it on things it didn't need used on today. |
| Everett | That's a 45 Andrew. Yeah. Yeah. |
| Andrew | No, I'm familiar with that cut. Uh I my miter saw locks at that angle, but I I'm gonna stencil that shit and use a and use a circular saw. Um so yeah, that's uh that's my other thing. Uh the one that I've I've seen a bunch of ads, but I just got I got the Lowe's special. I have here pulled up um from a a company called Smart Sacker. |
| Everett | Sacker. That's what it is. Sacker. |
| Andrew | Uh and I think this is I I think this is the one that has I've had all the targeted ads for. Um and honestly it it seems superior to the one that I have. It's a it it's a little bit more robust. It locks in place, which is nice. Yeah, |
| Everett | it looks like it's got some screws or something. Well so |
| Andrew | you can adjust the tension, but it also locks. So uh you can you can once your stencil is is made you can lock it in place so you don't get any free floating teeth while you while you adjust from one platform to the next. So this is uh well it says it's on sale from eighty dollars. |
| Everett | It's like uh that's like Invicta |
| Andrew | sale. It's forty bucks. Yeah. So yeah, you know, right on the top end. But um |
| Everett | I think if you're doing any sort of tile or anything like that, that's |
| Andrew | Tile thresholds, yeah. Just anything anything weird. |
| Everett | Yeah. Uh uh Yeah. |
| Andrew | It's it's worth worth taking a look at. It's just kind of a fun tool to have, even if you're not using it. It's a toy, basically for me. |
| Everett | You know, I would say the one thing I see about that is |
| Everett | it doesn't have a ton of depth. I would like it if it was that looks to me like it's probably about six inches of usable depth, maybe |
| Everett | four. I would like that if it was about |
| Everett | eighteen inches of usable depth. Yeah, |
| Andrew | but at that point you're like the |
| Everett | Yeah, sure. That's unnecessary |
| Andrew | amount. Yeah, well I'm thinking about like tile |
| Everett | like cutting around uh |
| Everett | vent floor vents or something but yeah |
| Everett | yeah i I mean eight eighteen's probably excessive |
| Andrew | yeah if you're if you're having to I mean I I see worlds where you're gonna have to cut more than six inches, but at that point you should be using something else for your stencil. Good pick. I |
| Everett | like it. Yeah. I've got another thing. Do me. |
| Everett | So I I've seen on Disney |
| Everett | Plus and and furthermore on like uh uh Gizmodo or whatever websites I I'm on, blogs and whatnot, |
| Everett | uh mention of the new Marvel series WandaVision, which is actually the names of two Marvel characters who fall in love and become romantic. |
| Andrew | It looks very weird. |
| Everett | So I had the same feeling. |
| Everett | I was like, this looks stupid. |
| Everett | I don't get it. I don't get what they're trying to do. The way the |
| Everett | trailers present this is Marvel |
| Everett | characters in a 1950s sitcom, sort of an I Love |
| Everett | Lucy, yeah, era sitcom. |
| Everett | And and that's not inaccurate for a little bit. Um took a flyer because the kids were into it. Betty in particular was like, |
| Everett | I want to watch WandaVision. I was like, well shit |
| Everett | man, if you want to watch Wandavision, I want to watch WandaVision. |
| Andrew | Is it sitcom or is it superhero y? |
| Everett | You gotta watch or is it neither? It is both. And it's more superheroy as we advance. Um, it's phenomenal. |
| Everett | So I think we watched episode four tonight, and I believe we're current. Uh, and I |
| Everett | cannot wait to watch the next |
| Everett | episode. It is |
| Everett | amazing. And I'm not going to tell |
| Everett | you anything about it because anything |
| Everett | I tell you will ruin it. No. It's |
| Everett | that bad. Uh no. |
| Everett | But the joy is in the twists. |
| Andrew | Okay. The joy is in the twists. |
| Everett | Uh it is totally delicious |
| Everett | entertainment. I'm into it. I don't want to tell you too much. Uh, you're gonna see characters |
| Everett | that you didn't expect to see. They're gonna be |
| Everett | sort of sprinkled in. Really fucking good. No, |
| Andrew | I like it. Talking to Will earlier, he |
| Everett | says, I think I'll wait until they're all out. I don't think that's a terrible idea. If you're the type of person that just wants to binge, this is gonna be a gas to binge is my guess. |
| Everett | I'm only four episodes in. Everybody |
| Everett | is only four episodes in. |
| Everett | With that said, if you don't mind waiting a week, |
| Andrew | I do mind waiting a week. Well, some people |
| Everett | don't. That's an upset. Since Game of Thrones |
| Andrew | that have had to wait a week between episodes. |
| Everett | If you don't we it really makes Betty |
| Everett | mad, by the way. My child, who |
| Everett | has never experienced anything besides |
| Everett | binge binge ability TV shows, is really frustrated by she was like, they've already released they've |
| Everett | already filmed these all. Dad, I |
| Everett | read about it online. They've |
| Everett | wrapped production. This is my lovely |
| Everett | eight year old. You know, these motherfuckers are |
| Andrew | holding out on us. Mark pitched a fit tonight about an ad. We were watching something on Hulu. He's like, Why do we have ads? I just want to watch my show. This is |
| Everett | so dumb. I was like, I mean You're not wrong. |
| Andrew | You're not wrong. But you know, back in my day I used to have to run to the bathroom during commercial breaks. |
| Everett | Uphill in the snow both ways. |
| Everett | So yeah. Uh if if you don't mind that. In fact, if |
| Everett | you kinda like it, and I kind of like |
| Everett | it, uh if you kinda like it, I recommend starting |
| Andrew | it right now. It is so good. |
| Everett | So interesting. I'm hooked. |
| Andrew | I I wish that Disney was doing it the way bam or uh Netflix does it. Just drop the whole season. Give it to me in one in one swoop. I don't y you don't need to keep me interested. I the the play button on my remote will keep me interested. |
| Everett | You know, I think there's gotta be something to it, right? There's gotta be something to |
| Andrew | it. Yeah. HBO |
| Everett | has not gone away from that model and HBO makes bucket loads of money. |
| Everett | And so does Netflix. But Netflix |
| Everett | has way more content than HBO and HBO makes almost as much money. So |
| Andrew | Yeah. And and HBO's shelling out a lot more money. |
| Everett | Yeah. So Andrew, anything |
| Everett | you wanna add before we go? No. |
| Andrew | No, that's it for me. Well, thanks for coming over. Yeah. |
| Everett | Isn't that gonna be fun when you could just walk across the street for that? |
| Andrew | We could like we'll we're gonna have some weird episodes. |
| Everett | Hey you guys, thanks for joining us for this episode of |
| Everett | 40 and 20, the Watch Clicker Podcast. |
| Everett | It's been really fun. Check us out on Instagram at 40and20 at WatchClicker. |
| Everett | Please also check us out on the website. |
| Everett | Look, all the podcast episodes |
| Everett | are on there. Lots of articles, |
| Everett | reviews. I published I republished an article that I |
| Everett | wrote many, many moons ago on the SKX |
| Everett | this week. I think it's great. Check it out. It's |
| Andrew | pretty okay. If you want to |
| Everett | support the show, you can do so at patreon.com slash 40 and 20 access to our discord where lots of good stuff happens |
| Everett | that's how we buy microphones, |
| Everett | mixers, pay for all our hosting. We really appreciate it. |
| Everett | And don't forget to tune back in next Thursday for |
| Everett | another hour of watches, food, drinks, life, and other things we like. |
| Andrew | Bye-bye. |